Independent games artist Robert Briscoe began work on completely redeveloping Dear Esther in 2009, with the full support of Pinchbeck. Burroughs as influential in the writing: ". looking at the way William Burroughs worked structurally was a big influence, but also I was really interested in moving towards a quite image-heavy, symbolic, poetic use of language rather than the normal descriptive tone we find in games." The story and script were composed by Pinchbeck, who cited the works of William S. The project was funded by a grant from the Arts and Humanities Research Council and led by Dan Pinchbeck, a professor and lecturer at the university. The original rendition of Dear Esther was one of several Source Engine mods developed by The Chinese Room while the studio was still a research project at the University of Portsmouth. The game received praise from critics for its graphical detail. Development Ī screenshot showing the cave in Dear Esther. As the game progresses, the identities of the characters become more blurred and the player is made to draw their own conclusions of the story. At various points, a figure is seen walking away from the player in the distance, but disappears before they can be reached. As the player explores the island, they find the derelict remains of buildings, a shipwreck, and a cave system whose walls are adorned with images resembling chemical diagrams, circuit diagrams, neurons and bacteria.
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Several other characters are referred to by the narrator: a man named Donnelly, who charted the island in the past Paul, who is suggested to be the drunk driver in the accident in which Esther died and a shepherd named Jakobson who lived on the island in the 18th century. Different audio fragments are revealed in each playthrough of the game, presenting a slightly different narrative each time. As the player reaches new locations on the island, the game plays a new letter fragment relating to that area. The gameplay in Dear Esther is minimal, with the only task being to explore an uninhabited Hebridean island, listening to an anonymous man read a series of letter fragments to his deceased wife, Esther. In 2017, an updated version, Dear Esther: Landmark Edition was released, based on the Unity engine.
The Chinese Room released a spiritual successor to Dear Esther, titled Everybody's Gone to the Rapture, in 2015. Details of her mysterious death are revealed as the player moves throughout the island. Featuring minimalistic gameplay, the player's only objective in the game is to explore an unnamed island in the Hebrides, Scotland, listening to a troubled man read a series of letters to his deceased wife. First released in 2008 as a free-to-play modification for the Source game engine, the game was entirely redeveloped for a commercial release in 2012.
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Dear Esther is a first-person exploration and adventure video game developed by The Chinese Room for Microsoft Windows, Mac OS X, PlayStation 4 and Xbox One.
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